Stan Lee’s Daughter Denies Physically Abusing Her Parents: “I Never Did It”

Since his death in 2018, the final years of comic book icon Stan Lee’s life have undergone a fair amount of scrutiny, including the alleged abusive treatment he received from his daughter J.C. Lee. Speaking to Business Insider, the 75-year-old fervently denied accusations that she ever physically abused either Stan or mother Joan Lee, following a 2018 Hollywood Reporter story which described her attacking both of her parents.

The original Hollywood Reporter story describes a 2014 incident in which:

“J.C. then roughly grabbed her mother by one arm, shoving her against a window. Joanie fell to the carpeted floor. Lee, seated in a nearby chair and looking stunned, told J.C. he was cutting her off: ‘I’m going to stick you in a little apartment and take away all your credit cards!’ Herman recalls Lee shouting. ‘I’ve had it, you ungrateful bitch!’ In ‘a rage,’ J.C. took hold of Lee’s neck, slamming his head against the chair’s wooden backing. Joanie suffered a large bruise on her arm and burst blood vessels on her legs; Lee had a contusion on the rear of his skull. (J.C. has previously denied the incident.)”

According to the story, the fight was over the revelation that J.C.’s Jaguar convertible was leased in Stan Lee’s name, as opposed to being purchased in her own name. THR was provided with photos of Joan Lee’s injuries.

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J.C. told BI reporter Jason Guerrasio (as part of a larger story about her life as the daughter of Stan) that the report was “a lie,” adding that “I never ever touched my parents.”

At the time the story was released, J.C. “took the advice of the people around her not to make a public denial at the time of the accusation,” BI reports, quoting her as saying that “you think I haven’t regretted it to this day? They are all lies. That photo is insane. I never did it.”

Going undenied are the claims that the Lee family would often scream at each other — J.C.’s former assistant James MacLean told BI that “They were equally abusive, the way they screamed at each other. But then it would be like, ‘Let’s sit down and have dinner.’ That was their relationship.” And J.C. asserts that it never went past words.

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While J.C. tells her story, a former assistant to Stan Lee is working on a new documentary featuring behind-the-scenes footage of Stan being exploited by his inner circle. Stan Lee: The Final Chapter raised $84,908 of its intended $300,000 budget on Kickstarter before filmmaker Jon Bolerjack canceled the project, having found outside funding.

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Billie Joe Armstrong Tells ICE to “Fuck Off” in Message of Solidarity with LA Protestors

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Olivia Rodrigo Is the New-Look Rock Headliner at Governors Ball 2025: Review + Photos

On Thursday night in Brooklyn, all the young rock fans were tucked under the Kosciuszko Bridge watching Turnstile’s new album release show. On Saturday, swarms of Gen Zers came to see Olivia Rodrigo headline Governors Ball in Queens. I can’t attest to how much overlap there was in the crowds, but even if the audiences were diametrically different, the message was similar: guitar music is alive with the kids.Rodrigo doesn’t fall into the same category as Turnstile, of course, nor would many argue she’s the heir to Gov Ball rock alumni like The Killers, The Strokes, or Jack White. Her performance was arguably closer to them, however, than Lizzo, Billie Eilish, or other pop acts who have topped the fest’s bill.
Headlining her first major US festival and the first of the new-gen “pop girlies” to be booked in such a slot (Sabrina Carpenter headlined Outside Lands 2024, but as a fill-in for Tyler, the Creator after her spring/summer “Espresso” explosion), the Sour superstar exemplified the modern form of the festival headliner. She’s booked a number of similar spots around the world all summer, from Lollapalooza to Glastonbury. While it’s not the sort of billing that portends a night of head-banging, old-heads disgruntled at the lack of rock acts closing out multi-genre festivals have reason to be encouraged.
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Related VideoWhere your typical pop headline will bring elaborate stage constructions and/or intricate dance routines, Rodrigo brought a full band and pyro. Her set mirrored any number of classic rock acts: two ramps on either side of the stage, and a runway into the crowd. On “love is embarrassing,” she was joined by her two guitarists and bassist at the front, and they traded off taking post on those ramps, running about and screaming towards the hyped-up crowd.
Yes, it was all quite choreographed, but plenty of rock bands have the same pre-determined positions. Besides, as a nominal pop star putting on rock aesthetics, Rodrigo leaning into this simple yet trademark iconography still earns respect.Olivia Rodrigo, photo by Ben Kaye
And as a rock star, Rodrigo ate. Crawling towards her guitarist on “pretty isn’t pretty,” basking in the solo; strapping on an axe herself during opener “obsessed” as fireworks exploded behind her. When she came out for the encore with “brutal,” it turned into a metal show, all pummeling riffs and screens filled with flames.
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She ate as a pop star, too, to be fair. Her banter was sweet and sincere (“I kinda think of my life as before and after this song, which is kinda crazy,” she said before “drivers license”), and softer turns like “traitor” saw her taking center stage with an acoustic guitar.
The big moment for older attendees was the arrival of David Byrne toward the end of the main set. Dressed in red overalls to match Rodrigo’s own two-piece look, the New York City icon and the young starlet did a duet of Talking Heads’ “Burning Down the House.” She clearly was getting a kick out of the kooky, Byrne-ian choreo, and even if a large portion of nearby youth was confused by the elder musician’s presence, it all added to Rodrigo’s bona fides.
The lasting impression was that of a rock musician — more No Doubt Gwen Stefani than Love. Angel. Music. Baby. No one is going to confuse Rodrigo with Joan Jett or Karen O or a Deal sibling, but perhaps she’s not far off from a Hayley Williams. Williams, incidentally, made a guest appearance at that Turnstile show on Thursday. And while we’re talking about it, Rodrigo had The Breeders open for her previous four-night headlining stint at Madison Square Garden. That kind of nod to alternative rock canon shows Rodrigo is not just borrowing rock aesthetics — she’s actively curating a rock-forward experience for her fans.
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For an older generation of fans, maybe seeing Olivia Rodrigo headlining so many bills this year is another sign of the landscape shifting away from the festival experience they grew up on. That’s not invalid, but in a time when Turnstile is being championed for turning kids onto guitar music again, then an act like Olivia Rodrigo bringing her pop version of rock to the masses like this deserves flowers as well.
Maybe in another generation, the major festival rock headliners will be owing their inspiration to her — the pop star who performed like a rock star.
See a full photo gallery of Olivia Rodrigo’s Governors Ball headlining performance below.

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Get Chappell Roan Tickets Here
Chappell is back on tour this August, playing the festival circuit across Europe and the UK (get tickets here). As of now, her final show of the year is this November, headlining Corona Capital in Mexico City.
Related VideoChappell Roan released her debut album The Rise and Fall of a Midwest Princess in 2023. Since then, she’s followed it up with the Grammy-nominated “Good Luck, Babe!” and the country influenced Song of the Week pick “The Giver.”
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Earlier this year, she won the Grammy for Best New Artist, and used her speech to make an impassioned plea for label heads to pay artists livable wages and provide access to healthcare.
Meanwhile, Heart just kicked off their own tour across North America running through the end of summer. Get tickets here. And listen to Nancy Wilson break down the origins of “Barracuda” during a recent appearance on The Story Behind the Song.chappell roan performing a cover of ‘barracuda’ by heart at primavera sound barcelona pic.twitter.com/SX3RVmP9m5— best of chappell roan (@bestofchappell) June 7, 2025

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Olivia Rodrigo and David Byrne Perform “Burning Down the House” at Governors Ball: Watch

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