Tennis Announce Breakup, Share “12 Blown Tires” Ahead of Final Album: Stream

Indie rock duo Tennis are hanging up their rackets.

The news arrives as Tennis gear up to release their seventh and final studio album, Face Down in the Garden, which will arrive on April 25th via their label Mutually Detrimental. Ahead of the LP, they’ve also shared the last of its singles: “12 Blown Tires.”

Get Tennis Tickets Here

Comprised of husband and wife duo Alaina Moore and Patrick Riley, Tennis formed in 2010 in Denver, Colorado. They’ve offered six studio albums so far, toured with Spoon, The Shins, and HAIM, collaborated with the show Rick and Morty, and played festivals like Coachella and Lollapalooza. To commemorate their journey as Tennis, they’re also offering a new EP, Neutral Poetry: First Recordings, Unreleased Demos 2009-2010. The new EP serves as a collection of previously unheard tracks from the very beginning of their career, and arrives on May 16th.

With “12 Blown Tires” and the announcement of their breakup, Tennis have offered a lengthy statement: “On a cross-country drive at the end of tour, our van and trailer blew four tires in quick succession,” Moore says. “That particular stretch of highway was a tire graveyard. I counted the shredded remains of twelve tires from where we sat on the side of the road, swapping out our last spare. Our bad luck was heavily contrasted by the good night we’d just had in Houston. The highs and lows of touring are unnatural, disorienting. On the shoulder of I-40, I began writing the lyrics to ’12 Blown Tires.’ It is a constellation of memories from the road, and of our marriage, two endeavors that are completely, hopelessly entangled.

Advertisement

Related Video

When we recorded ’12 Blown Tires’ a few months later, I had the sense of distilling the past 15 years into four minutes of music. It felt like the end of something, though I wasn’t sure what. Patrick and I spent most of our 20s and all of our 30s focused on Tennis. It has been the most joyous, bewildering, challenging, and humbling experience. After finishing Face Down In The Garden, it became clear that we had said everything we wanted to say and achieved everything we wanted to achieve with our band. This will be our last studio album, at least in this configuration as Tennis. We are ready to pursue other creative projects and to make space in our lives for new things. In that light, the upcoming tour feels more poignant, like a concluding thought. These two kids from Denver who only ever dreamed of playing a few house shows are very fulfilled. Perhaps we’ll see you on the road. As always, thank you.”

As expected, “12 Blown Tires” is a touching, sentimental offering from Tennis. “No flower withers/ No flower withers in your hand, in your hand,” Moore sings over trotting drums and reverb-ridden guitars. Though Moore doesn’t deviate too much from the song’s steady melody, the instrumentals beneath her grow in power and scope throughout the track. Watch the video for “12 Blown Tires” below.

Tennis will be closing out their journey with a final farewell North American tour, which kicks off in Las Vegas on May 16th (the day of Neutral Poetry’s release). After playing Utah’s Kilby Block Party, they’ll hit cities like Minneapolis, Chicago, Cleveland, Toronto, Boston, New York, Atlanta, Nashville, Austin, San Diego, Los Angeles, Denver, Vancouver, and many more throughout the summer. They’ll play their final show in Saratoga, California on September 4th; see their full list of tour dates below and get tickets here.

Advertisement

[embedded content]

Tennis 2025 Tour Dates:
05/16 — Las Vegas, NV @ Swan Dive
05/17 — Salt Lake City, UT @ Metro Music Hall
05/18 — Salt Lake City, UT @ Kilby Block Party
05/21 — Minneapolis, MN @ First Avenue
05/23 — Chicago, IL @ The Salt Shed
05/24 — Indianapolis, IN @ HI-FI Annex
05/25 — Cleveland, OH @ Globe Iron
05/27 — Toronto, ON @ The Concert Hall
05/30 — Boston, MA @ Roadrunner
05/31 — Philadelphia, PA @ Franklin Music Hall
06/01 — New York, NY @ The Rooftop at Pier 17
06/03 — Washington, DC @ The Anthem
06/05 — Raleigh, NC @ The Ritz
06/06 — Atlanta, GA @ The Eastern
06/07 — Nashville, TN @ Brooklyn Bowl Nashville
06/09 — Dallas, TX @ The Factory in Deep Ellum
06/10 — Houston, TX @ White Oak Music Hall (Downstairs)
06/11 — Austin, TX @ Stubb’s Waller Creek Amphitheater
08/18 — San Diego, CA @ Humphreys Concerts by the Bay
08/20 — Los Angeles, CA @ Greek Theatre
08/22 — Pioneertown, CA @ Pappy + Harriet’s
08/23 — Phoenix, AZ @ The Van Buren
08/24 — Santa Fe, NM @ The Bridge at Santa Fe Brewing Co.
08/26 — Denver, CO @ The Mission Ballroom
08/28 — Boise, ID @ Treefort Music Hall
08/29 — Portland, OR @ McMenamins Grand Lodge
08/30 — Vancouver, BC @ Malkin Bowl
09/02 — Sacramento, CA @ Channel 24
09/04 — Saratoga, CA @ The Mountain Winery

Related Posts

Jared Leto Accused of Sexual Misconduct by Multiple Women: Report

Jared Leto was accused of sexual misconduct by multiple women in a report published by Air Mail on Saturday. Nine women, including model Laura La Rue, shared their alleged experiences with Leto dating back to 2006 in interviews with Air Mail senior editor Elena Clavarino. The accusations range from inappropriate text messages with underage girls to incidents where Leto allegedly exposed himself to a 17-year-old girl and an performed an explicit act in front of an 18-year-old. Leto’s behavior has “been an open secret for a long time,” one of the woman told Clavarino.In a statement to Air Mail, a representative for Leto “expressly” denied all of the allegations. You can read Air Mail’s full report here.

Read more

Paul McCartney Joins Bruce Springsteen in Liverpool for “Can’t Buy Me Love”: Watch

Here’s a fun piece of trivia: Until his current tour, Bruce Springsteen had never played a concert in Liverpool, England. So it was only fitting that when he and the E Street Band finally took the stage at Anfield on Saturday, they were welcomed by one of Liverpool’s most beloved sons — none other than Paul McCartney.McCartney made a surprise appearance during the concert’s encore, joining Springsteen and co. for renditions of The Beatles’ “Can’t Buy Me Love” and Little Willie Littlefield’s “Kansas City.” Watch fan captured footage below.
Get Bruce Springsteen Tickets Here
McCartney’s cameo wasn’t entirely unexpected; just the day before, he and Springsteen spent time meeting with students at the Liverpool Institute for Performing Arts (LIPA).
Springsteen and McCartney have shared the stage many times over the years — including during Macca’s headlining set at Glastonbury in 2022, when The Boss joined him for performances of “Glory Days” and “I Wanna Be Your Man.”
Advertisement

[embedded content]

Related Video

Read more

Wu‐Tang Clan Kick Off Final Tour in Baltimore: Videos + Setlist

Hip-hop pioneers Wu-Tang Clan kicked off their final tour, “Wu-Tang Forever: The Final Chamber,” at CFG Bank Arena in Baltimore, Maryland on Friday, June 6th.Spanning roughly two hours, the concert saw the fully reunited group performing hits from throughout Wu-Tang Clan’s discography and the members’ solo catalogs. The first part of the 40-song set saw them running through classics including”Bring da Ruckus,” “Wu-Tang Clan Ain’t Nuthing Ta F’ Wit,” and “Protect Ya Neck.”
Get Wu‐Tang Clan Tickets Here
After that, Method Man (“Bring the Pain”), Ghostface Killah (“Daytona 500”), Raekwon (“Ice Cream”), GZA (“Liquid Swords”), and more took turns performing some of their signature tracks, with Inspectah Deck rapping his standout verse from Gang Starr’s “Above the Clouds.”
Related VideoNot nearly done yet, Wu-Tang Clan played “Impossible” for the first time since 2013, “Tearz,” and “Reunited” before paying tribute to late member Ol’ Dirty Bastard. ODB’s son, Young Dirty Bastard, stepped up to perform his father’s classics “Shimmy Shimmy Ya,” “Brooklyn Zoo,” and “Got Your Money.”
Advertisement

The group followed with performances of “C.R.E.A.M.” and “Triumph,” which led into RZA closing out the concert by rapping a medley of songs from Enter the Wu-Tang (36 Chambers) over the band playing The O’Jays’ “Family Reunion.”
Wu-Tang Clan will next bring their “Final Chamber” tour to Raleigh, North Carolina, followed by dates in Los Angeles, Atlanta, Chicago, New York, Toronto, and more. Get tickets here.
Editor’s Note: See where Wu-Tang Clan’s classic debut, Enter the Wu-Tang (36 Chambers), landed on our list of the best hip-hop albums of all time.
[embedded content]
[embedded content]
[embedded content]

Wu-Tang Forever: The Final Chamber Setlist:
Set 1Bring da RuckusClan in da FrontDa Mystery of Chessboxin’Sunlight (Possible live debut, first recorded performance)Wu-Tang Clan Ain’t Nuthing Ta F’ WitMethod ManShame on a N****aProtect Ya Neck
Set 2The Way We Were (Gladys Knight & the Pips cover) (with Blue Raspberry)Can It Be All So Simple (with Blue Raspberry)Bring the Pain (Method Man song)Hollow Bones (with Blue Raspberry) (First time since 2000)Take It Back (Possible live debut, first performance recorded on setlist.fm)Daytona 500 (Ghostface Killah song)’97 Mentality (Cappadonna song)Above the Clouds (Gang Starr cover)Incarcerated Scarfaces (Raekwon song)Ice Cream (Raekwon song)Release Yo’ Delf (Method Man song) (with Blue Raspberry)Bring the Pain (Method Man song)All I Need (Method Man song) (with Blue Raspberry)
Advertisement

Set 3Liquid Swords (GZA/Genius song)Duel of the Iron Mic (GZA/Genius song)Severe Punishment4th Chamber (GZA/Genius song)Smells Like Teen Spirit (Nirvana cover)No Said Date (Masta Killa song)Run (Cappadonna song)Run (Ghostface Killah song)Roar of the Lion (The Lion’s Pit) (Live debut)Impossible (First time since 2013)Tearz
Set 4ReunitedFor Heavens SakeShimmy Shimmy Ya (Ol’ Dirty Bastard song)Brooklyn Zoo (Ol’ Dirty Bastard song)Got Your Money (Ol’ Dirty Bastard song)C.R.E.A.M.TriumphFamily Reunion (The O’Jays cover) (RZA rapped a medley of 36 Chambers songs over the band’s instrumental)
Wu-Tang Clan 2025 Tour Dates:06/07 – Raleigh, NC @ Lenovo Center06/10 – Tampa, FL @ Amalie Arena06/11 – Atlanta, GA @ State Farm Arena06/13 – Fort Worth, TX @ Dickies Arena06/14 – Houston, TX @ Toyota Center06/15 – Austin, TX @ Moody Center06/16 – Tulsa, OK @ BOK Center06/18 – Phoenix, AZ @ Footprint Center06/20 – Ontario, CA @ Toyota Arena06/21 – San Diego, CA @ Pechanga Arena San Diego06/22 – Los Angeles, CA @ Crypto.com Arena06/24 – San Francisco, CA @ Chase Center06/26 – Sacramento, CA @ Golden 1 Center06/28 – Seattle, WA @ Climate Pledge Arena06/30 – Vancouver, BC @ Rogers Arena07/01 – Portland, OR @ Moda Center07/04 – Greenwood Village, CO @ Fiddler’s Green Amphitheatre07/07 – Chicago, IL @ United Center07/08 – Detroit, MI @ Little Caesars Arena07/09 – Columbus, OH @ Nationwide Arena07/11 – Boston, MA @ TD Garden07/13 – Laval, QC @ Place Bell07/14 – Toronto, ON @ Scotiabank Arena07/16 – New York, NY @ Madison Square Garden07/17 – Newark, NJ @ Prudential Center07/18 – Philadelphia, PA @ Wells Fargo Center
Advertisement

Read more

Miley Cyrus Heckled at Something Beautiful Film Premiere: “Thought This Was a Concert!”

On Friday night, Miley Cyrus premiered the film component of her newly released visual album, Something Beautiful, at the Tribeca Film Festival. The event was promoted as a “one-of-a-kind pop opera featuring thirteen original new songs,” with an exclusive conversation with the singer to follow. However, some fans missed the message that it was a movie premiere and loudly heckled her while she was on stage.“We thought this was a concert! We paid $800!” one audience member can be heard saying in a video posted on social media. Despite the host reminding them that the event was part of a film festival, they persisted and asked, “Are you actually going to sing?”After more misinformed fans chimed in, Cyrus pacified them with an a cappella version of her 2009 song “The Climb.”
A comment on Cyrus’ Instagram could provide insight into why some fans didn’t realize they were attending a movie premiere. “I bought my tickets [off StubHub] and it said MILEY CYRUS LIVE. It wasn’t clear that it wasn’t a concert so yea, for 1200 bucks for 2 crappy far away seats to see a movie and not hear any live music and not even knowing it until I saw chairs on the stage, yea I was livid and felt duped… I’ll admit maybe it was my mistake for not doing more research but I will say that afterward there were several other people outside saying the same thing.”
Advertisement

Fans will be able to watch the Something Beautiful visual album in theaters for one night only on June 12th in the US and Canada, with international screenings following on June 27th. Learn more here.

“We thought this was a concert! We paid $800! Are you actually going to sing…”
LEAVE HER ALONE IT’S A FILM PREMIERE 💔😭 pic.twitter.com/fwLV8Kpf5C
— Miley Edition (@MileyEdition) June 7, 2025

miley’s comments are now full of complaints 😩 pic.twitter.com/vMi1LIZonG
— Miley Edition (@MileyEdition) June 7, 2025

Read more

Song of the Week: Sabrina Carpenter Skewers a Helpless Himbo on “Manchild”

Every week, Consequence’s Songs of the Week column spotlights the best new tracks from the last seven days. Find our new favorites on our Top Songs playlist, and for more great songs from emerging artists, listen to our New Sounds playlist. This week, Sabrina Carpenter quips about a pattern in her past romances.
“Why so sexy if so dumb?” Sabrina Carpenter asks coyly on her new single, “Manchild,” hitting at a recurring theme found in her recent releases: What’s the deal with all these hot dudes being absolute tools?
Get Sabrina Carpenter Tickets Here
Sure, it’s easy to read the song as Carpenter following up on the promise given to her now-ex-boyfriend Barry Keoghan on “Please Please Please” (“If you don’t wanna cry to my music/ Don’t make me hate you prolifically”), but even disregarding any real-life context, “Manchild” serves as another sonic thesis statement from a pop star at the very top of her game.
Advertisement

Related VideoShort n’ Sweet offered the similarly-countrified “Slim Pickins” and “Please Please Please” — also co-writes from Carpenter’s now-trusty duo of Jack Antonoff and Amy Allen — but “Manchild” has a bit more pep in its step. The track’s syncopated synths and strum-heavy acoustic guitar show that Carpenter is not interested in wallowing, but “Manchild” isn’t a full-fledged disco celebration either; instead, Carpenter skewers her half-witted beau while hinting that she’s maybe, perhaps, ever-so-slightly accountable, too.
“Oh, I like my boys playing hard to get/ And I like my men all incompetent/ And I swear they choose me/ I’m not choosing them,” she sings with a wink, recalling a similar conclusion drawn in “Slim Pickins” about her own inability to choose men with long-term relationship potential. Like the hitchhike-through-mayhem absurdity found in the music video, Carpenter knows the cycle well: They meet, it’s thrilling, dangerous even, and eventually, despite her telling herself things could be different this time, he lets her down. “It’s all just so familiar,” she sings.
Her lyrics are once again endearingly funny — “If I’m not there it won’t get done/ I choose to blame your mom,” Carpenter quips — and more proof that the trio of Carpenter, Allen, and Antonoff have nailed the SabCarp formula. There’s a nostalgic, comforting air, circa late ’70s and early ’80s, which fits with Carpenter’s retro-themed stage movements and music videos. There’s a slight country twang, which allows Carpenter to slip into a more casual and authentic singing style. And, above all, there’s a sharp, halfway-out-the-door wit that instantly puts the listener in Carpenter’s corner.
Advertisement

Humor, used as often as Carpenter employs it, can start to feel like a defense mechanism — like she’s masking her vulnerability. Perhaps there are some meatier epiphanies to come, but in the meantime, she shrugs off a helpless himbo so well on “Manchild” that you’d have to believe she’s landed on her feet. Better off, even.
— Paolo RagusaAssociate Editor
[embedded content]

Read more

Turnstile Celebrate NEVER ENOUGH, Welcome Hayley Williams to the Stage at Brooklyn Show: Review, Photos + Video

After playing a handful of guerrilla-style pop-up shows in anticipation of their new studio album, NEVER ENOUGH, Turnstile flipped Brooklyn’s “Under the K Bridge Park” underpass into an adrenaline-fueled collision of sound and bodies as they ripped through a 24-song set on Thursday night (June 5th).The outdoor show opened with dreamy lead single “NEVER ENOUGH,” as fans shouted lyrics into the air while the band took their positions on stage. When the first riffs broke out, a retro-toned rainbow flag dropped behind the band, sending the crowd surging in every direction and some fans spilling over the barricade. Lead singer Brendan Yates floated about the stage with what can only be described as a mix of jumpstyle and hardstyle dance moves, thrusting the mic stand into the air and jumping sporadically to the rhythm.
Get Turnstile Tickets Here
With their new album only hours away from dropping, the band played a mix of songs off of previous LPs and brand-new tracks from NEVER ENOUGH. While some have seen Turnstile’s divergence into a more melodic space as an abandonment of the hardcore principles they stood upon for a majority of their career, the energy in the space proved that hardcore is alive and well in their community.
Advertisement

Related VideoOlder, heavier singles like “Keep It Moving” garnered the same reaction from the crowd as newer, softer singles like “I CARE”. Even with a barricade and security to keep the room from getting too wild, I caught a handful of stage divers making their way onto the stage and back into the crowd (one guy via a front flip). And from a higher vantage point, you could see the crowd flare and fade to each song as mosh pits formed throughout the venue.
The highlight of the set came during “SEEIN’ STARS.” The lights dimmed to a light blue and Yates began to sing the opening verse. About a minute in, Yates suddenly exclaimed “HAYLEY!” and Paramore lead singer Hayley Williams strutted onstage to sing the song. Williams has been a long time supporter of Turnstile, even appearing on the studio version of “SEEIN’ STARS,” so it was an incredibly special moment on the precipice of NEVER ENOUGH’s release.
With the energy at a boiling point, the band ended the evening with the new hardcore anthem “BIRDS,” and the place exploded with one last wave of energetic moshing. While Turnstile continue to move into a gentler sonic landscape, their ability to mesh hardcore ethos with calmer sounds has pushed them into a space that finds them drawing mainstream-sized crowds without losing their grassroots energy.
Advertisement

See a photo gallery, fan-filmed video footage, and the setlist from Turnstile’s Brooklyn show below. Catch Turnstile on a UK/European tour of headlining dates and festivals throughout June, as well as North American festival appearances at Ottawa Blues Fest in July, and the Aftershock (Sacramento) and III Points (Miami) festivals in October.[embedded content]
[embedded content]
[embedded content]
[embedded content]
Setlist:NEVER ENOUGHT.L.C. (TURNSTILE LOVE CONNECTION)ENDLESSCome Back for More / Fazed Out7Keep It MovingPushing Me AwayFLY AGAINI CAREDULLDON’T PLAYReal ThingBig SmileDropInterludeUNDERWATER BOIHOLIDAYALIEN LOVE CALLLOOK OUT FOR ME (live debut)Encore:MYSTERYBLACKOUTSEEIN’ STARS(with Hayley Williams)BIRDS

Read more

Leave a Reply